1 Yes It’s Fucking Political 2 All I Want 3 She’s My Heroine 4 Infidelity (Only You) 5 Hedonism (Just Because You Feel Good) 6 Twisted (Everyday Hurts) 7 We Love Your Apathy 8 Brazen (Weep) 9 Pickin‘ on Me 10 Milk Is My Sugar 11 Glorious Pop Song

Naa-naa. Na-na-na-na-na-na-na-na-Naaaa-Naaa.

They do have sweeping choruses and angry anthemic songs like „All I Want“ and „Hedonism“ (a good, almost year-defining single of course) which are just made for big stages and a teenage crowd to chant along, they have pop instincts and they have a radio-friendly grungey hard-rock sound quite typical of the period – this is the politicized phase of grunge, after having gone through the horrors of adolescent angst, so to speak. Skin is a commanding singer with a supernova’s worth of charisma, but listen to this if you want to know what went wrong when the market dressed up anti-commercialism all fancy. Hard riffs and about two or three melodic ideas aren’t enough for nearly fifty minutes of music. About three songs stick – the rest gets washed down the drain by its own boring arrangement and lack of hooks.

As far as the overall attitude goes, I’m all for Rage Against the Windmills, but the lyrics here do mostly tap into protest as a performance, not as a communicative, topical form. I mean, there’s a place for that, but when Skin belts out lines like „Yes it’s fucking political! / Everything’s political!“, it’s not much of a manifest – she’s right, of course, but the performance, stressing pure attitude over ideas, hasn’t really aged well. They put words like „The poorer you are, the better / that gives me more control“ into the mouth of whatever social or political entity you want to attribute this to – just make sure that entity is part of the „establishment“. Or – alas! – is it the establishment in YOURSELF!? Beware! This is self-conscious, but non-meta. If it riled up folks back then – sure, I’ll take it.

For all the draining emotions of despair and rage here, in the very end, the band does something quite corageous by facing their actual musical forte: the fact that „Glorious Pop Song“ – no irony here – is exactly that.