Schlagwörter: 6.0/10 Kommentarverlauf ein-/ausschalten | Tastaturkürzel

  • blechtram 11:41 am am January 9, 2020 Permalink | Antworten
    Tags: 6.0/10, , Bob Dylan, , Carter Burwell, , Elvis Costello, Erich Wolfgang Korngold, Ethan Coen, , Gipsy Kings, Henry Mancini, Joel Coen, Kenny Rogers, Meredith Monk, Moondog, , Nina Simone, , Piero Piccioni, , The Big Lebowski, The First Edition, Townes Van Zandt, , Yma Sumac   

    Various Artists: The Big Lebowski [Original Soundtrack] 

    Rating: 6.0/10
    Rated as
    : Compilation / Soundtrack
    Compilation Status
    : of Zeitgeist interest
    Released: 1998
    Recorded: 1959–1997
    Specific Genre: Soundtrack
    Main Genre: Soundtrack
    Undertones
    : Singer-Songwriter, Folk Rock, Experimental Rock, Pop Rock, Exotica, Big Band, Vocal Jazz, Third Stream, Experimental, Romanticism, Lounge, Latin Rock, Electronic
    Label: Mercury

    1 Bob Dylan – The Man in Me 2 Captain Beefheart – Her Eyes Are a Blue Million Miles 3 Elvis Costello – My Mood Swings 4 Yma Sumac – Ataypura 5 Piero Piccioni – Traffic Boom 6 Nina Simone – I Got It Bad and That Ain’t Good 7 Moondog – Stamping Ground 8 Kenny Rogers & The First Edition – I Just Dropped In (to See What Condition My Condition Was In) 9 Meredith Monk – Walking Song 10 Erich Wolfgang Korngold – Glück das mir verblieb 11 Henry Mancini – Lujon 12 Gipsy Kings – Hotel California 13 Carter Burwell – Wie glauben 14 Townes Van Zandt – Dead Flowers

    We believe in nussing

    An expectedly tasteful and quirky choice of songs by the Coen Brothers, but ultimately just that: Some songs and artists you might not get acquainted with otherwise set next to each other. Of course the film context adds a lot of consistency to the experience, but musically speaking, this playlist, say, on a mix tape would merit some respect for musical knowledge and eclectic boldness, but people would ask: Where’s the actual flow?

    Admittedly, some things go together nicely, at least conceptually: Exotica-diva Yma Sumac and Mancini’s death-by-tropic-lounge „Lujon“ on the same album is a good idea, as well is one of Dylan’s greatest underrated tunes next to Costello’s very good „My Mood Swings“, surprisingly recorded for this soundtrack. Kenny Rogers and The First Edition add the nowadays monumental „Condition“, which is the best psychedelic country-rock number that I know this side of „Eight Miles High“ (even as pastiche), so this is also a good buy if you’re looking for just that (as it isn’t really representative of how Rogers would develop).

    The ultimate avantgarde obscurity Moondog makes an appearance and this is the one song that sounds as if was made for the movie in a kind of prophetic move by Moondog a few decades earlier), and kudos to the Coens for picking „Her Eyes Are a Blue Million Miles“, whose inclusion here I’m sure introduced legions of teens to Captain Beefheart. That’s worth a lot.

    So, while I see many good things about this as a cultural artefact, and I admire the boldness of putting a bunch of avantgarde artists next to Mancini and a piece of Austrian classical Opera (in German, nonetheless), this is hardly something you’ll listen through over and over as a musical document. It’s more like an educational effort: „Look, teenagers, you liked our movie about a stoner. Your subconscience noticed it being accompanied perfectly by the song picks. Now, learn and listen to what you’ve actually listened“, hopefully prompting further research. And why not?

    Oh, and all the Creedence tracks are missing – for copyright and run-time reasons, I assume, but it’s kind of a great in-joke between soundtrack and film.

     
  • blechtram 6:27 pm am March 12, 2019 Permalink | Antworten
    Tags: 6.0/10, , , , , , ,   

    Billie Holiday: The Silver Collection 

    Rating: 6.0/10
    Rated as:
    Anthology
    Compilation Status: Obsolete
    Released: 1985
    Recorded: 1956–1957
    Specific Genre: Vocal Jazz
    Main Genre: Jazz
    Undertones: Swing
    Label: Verve

    1 I Wished on the Moon 2 Moonlight in Vermont 3 Say It Isn’t So 4 Our Love Is Here to Stay 5 Darn That Dream 6 But Not for Me 7 Body and Soul 8 Comes Love 9 They Can’t Take That Away From Me 10 Embraceable You 11 Let’s Call the Whole Thing Off 12 Gee Baby Ain’t I Good to You 13 All or Nothing at All 14 We’ll Be Together Again

    Half a love, never appealed to me

    This compilation combines songs from the 1957 studio album Body and Soul and 1958’s All or Nothing at All. Many of the late 1950s recordings by Holiday which were issued as albums between 1957 and 1959 come from these same sessions (from 1956/57). No surprise then that nowadays, you can buy a double disc compilation also called All or Nothing at All (as part of the Billie Holiday Story, Part 7) which contains all the songs of the two mentioned albums as well as the whole Songs for Distingué Lovers album from 1957 (same session as for Body and Soul) – that’s all of the 1956/57 session recordings that were seperately issued on said three albums.

    Anyhow, as an early single-disc-compilation compiling the alleged highlights of two late 1950s albums, this does a respectable job. Late night vocal jazz with subtly swinging arrangements and, compared to the 1930s takes, a much more foregrounded, if subdued, horn section showing up now and then. Many nice standards, but Holiday had a softer and more professional tone at this stage of her career – personally, I prefer her more emotionally aggressive tone from earlier on.

    Of course it’s about the vocals from start to finish, but I don’t see anything specific about the compilation: either you already have the original albums, or you should buy the mentioned reissue of All or Nothing at All which gives you the complete picture. But actually, you should get the box set The Complete Billie Holiday on Verve: 1945-1959 which gives the total overview. Or you haphazardly got a hold of this, like me.

    1, 3, 4, 6, 13, 14: All or Nothing at All (1958)
    2, 5, 7, 8, 9, 10, 11, 12: Body and Soul (1957)

    Trivia: Note the compilation cover: „Over 60 Minutes of Music“. Can you remember a time when this was a selling point? Anyway, all the more reason to get the double disc with all the sessions.

     
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