Rating: 1.6/10 Rated as: Album Album Status: of No Interest Released: 2005 Specific Genre: Electroclash, Electro-Punk Main Genre: Electronic, Electronic Dance Music, Punk Undertones: Techno, Dance-Punk, Industrial Label: novamute
1 Intro 2 Sick Like Me 3 All Systems Go! 4 Untitled 5 Diving in Whiskey 6 Rumpelkammer 7 A Mess 8 A Very Loud Lullaby 9 Der Grottenolm 10 3 Minutes Happiness 11 An Army of Watt 12 Patridiot 13 Blitzkrieg Pop
Honestly? It depends, you see.
Wobbling electro-thumps with fast-paced, violent shuffle beats between punk and techno, cackling aggressive sound effects, screamed vocals – okay, this supposedly comes from those dark underground caves with stroboscopic red lights and angrily painted faces, but translated into a very harmless mid-sized dance club environment. Why does this sound so much tamer than what 1980s industrial had to offer, while desperately doubling up on everything that seems so neat and dangerous when the older, cooler kids with their very scary skull-tattoos and their rattling teeth do it?
Rating: 1.6/10 Rated as: Bootleg / Live / Archival Album Status: of Archival Interest Released: 2001 (1994 Galaxy) Recorded: ? [1960s/70s] Specific Genre:Latin Rock Main Genre: Rock Undertones: Blues Rock Label: ZYX Music
CD1: 1.1 Jingo 1.2 El Corazon Manda 1.3 La Puesta del Sol 1.4 Persuasion 1.5 As the Years Go Passing By 1.6 Acapulco Sunrise 1.7 Coconut Grave 1.8 Hot Tamales CD2: 2.1 With a Little Help from My Friends 2.2 Every Day I Have the Blues 2.3 Jam in E 2.4 Travelin‘ Blues 2.5 Jammin‘ Home 2.6 Jammin G. Minor
Worthless packaging, zero information
This ultra-cheap double-issue is identical to the equally crummy releases Greatest Hits Live Vol 1 and Greatest Hits Live Vol 3 (don’t be fooled, as opposed to the Wilburys, there actually is a Vol 2). The title of these is a complete joke, as this is indistinct live bootleg jamming of what must be late 1960s/ early 1970s recordings. Atrocious sound quality, worthless packaging, zero information, and a totally indiscriminate track selection. If you came here for the novelty of hearing Santana play the Beatles’ „With a Little Help From My Friend“, you’ll get that novelty, but not much more.
Most of CD1 is simply their early 1970s latin rock jams, CD2 is surprisingly blues-tinged, as already indicated by the song titles. That stresses one of Santana’s more overlooked musical sources (B.B. King, for one). Either way, there are numerous bootlegs of exactly these and similar live cuts on the market, and while this isn’t bad music at all, it’s just very uninteresting and badly recorded stuff. Definitely not worth seeking out, even for fans.