Schlagwörter: 7.1/10 Kommentarverlauf ein-/ausschalten | Tastaturkürzel

  • blechtram 11:38 am am April 23, 2020 Permalink | Antworten
    Tags: 7.1/10, , , , , Krautrock, , Must for Fans,   

    Can: Tago Mago [40th Anniversary Edition Bonus CD] 

    Rating: 7.1/10
    Rated as
    : Archival / Live
    Album Status
    : Must for Fans
    Released: 2011
    Recorded: 1972
    Specific Genre: Krautrock
    Main Genre: Experimental Rock, Rock
    Undertones
    : Ambient, Free Improvisation, Psychedelic Rock
    Label: Spoon 40SPOON6/7

    [Disc 1: 1.1 Paperhouse 1.2 Mushroom 1.3 Oh Yeah 1.4 Halleluhwah 1.5 Aumgn 1.6 Peking O 1.7 Bring Me Coffee or Tea]
    Disc 2: 2.1 Mushroom 2.2 Spoon 2.3 Halleluhwah

    Love me! You gotta love me!

    Tago Mago is – at least in recurring intervals – my favourite album. But let’s talk about the live bonus material from the 40th-anniversary edition. The bonus CD with the live material contains three tracks from a live performance in 1972. Unsurprisingly, the sound quality isn’t quite up to snuff – aside from being murky, especially Karoli’s guitar suffers from being buried in the mix, sounding as if he played from down the hallway. Well, we do with what we can get. I’ll go into the details, but what you get it is what you want and expect: Anxious, extremely rhythm-driven nightmares, amazing examples of free form tension-and-release, some chaotic nonsense, irresistible grooves: bleak, hypnotic, riveting. Well, it’s Can. What did you expect?

    Two main points: The rather murky sound quality doesn’t really damage the enterprise, because it fits the claustrophobic, future-noir sound. But besides a riveting second track and an at least interesting mini-version of „Halleluhwah“, there is nothing to learn about Can here that can’t be experienced as good or better on other available live material. Secondly: The reason to get this is the 30-minute second track „Spoon“ which features everything you want in a Can jam: disorientation, paranoia, exploration and a beautiful, ethereal ending in an ambient-style hinting at 1973’s Future Days. Only half of this jam is available on The Lost Tapes (as is the less interesting opener „Mushroom“, a rare jam where they lose focus and decide to run the thing into the ground). The third track is a brief nine-minute „Halleluhwah“, in an interesting version where everything happens slightly too fast, it plays like a one-act-version of the epic original and fades out before the climax – I can only assume due to some technical error or scrambled tapes.

    PS. The cover art hasn’t been changed. The photograph you see on the cover is a detachable carton sleeve to protect the gatefold vinyl replica inside, featuring the famous original head and is very nicely done all in all. Complete with several interesting liner notes by fawning fellow musicians but little historical information, it is a beautifully made reissue, less informative than it could be.

     
  • blechtram 9:25 am am October 4, 2019 Permalink | Antworten
    Tags: 7.1/10, , Ambient, , Eno   

    Brian Eno: Ambient 1: Music for Airports 

    Rating: 7.1/10
    Rated as
    : Album
    Album Status: Defining Classic
    Released: 1978
    Specific Genre: Ambient
    Main Genre: Ambient
    Undertones
    : Minimalism, Experimental, New Age
    Label: Polydor

    1. 1/1 2. 2/1 3. 1/2 4. 2/2

    He told you: As ignorable as it is interesting

    While no obsession drives me towards the ambient-genre – I’m casually interested, so maybe the worst kind of ambient listener – there is an appealing pull to the presentation and personality of this record. It’s not the concept, it’s not its mythological history of invention. It’s the determination and the simplicity. The music here glides on a sheet of air-cooled velvet offering the least amount of friction while still being material. Piano loops, vocal „Ohs“ sampled to structure the silence – all harmony, all assembled to give you nothing to hold on to for more than a few moments. I like this. It may well be the best of its kind, sure – but nothing more (and nothing less). And he told you: As ignorable as it is interesting. Either way, a must-have.

     
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